musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally. and full-length it is: the golden ravedays is an epic album of 24 tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period.
the eighth piece of the golden ravedays puzzle will be released on hippie dance in august 2017. number 8 of the series introduces two tracks that will take you to the far side of somewhere you’ve never been before. they are both reminiscent of outer space blues playing spooky games in a dust bowl.

side a features tuesday paris texas a tastefully arranged track with vintage sounds passing nonchalantly through a wild western aural landscape. the music is announced like a cowboy movie dual complete with bar doors swinging on rusty nails in slow motion. mournful guitar strings swirl over a steady horseback galloping beat, expanding into a full-on-fire dance track. halfway through a woman’s haunted voice appears and disappears like an eerie siren, a gunshot is fired (was that a gunshot?), a man whispers “what!?” tuesday paris texas is in no hurry to give an answer.

side b features mirage a desert sound collage glued to a steady pulse that rolls and rolls, circumventing any destination. mirage is a contour map of no surprising peaks just undulating valleys of wistful cathodic sound creeks, sometimes veering off to plains in full view of the moon, in earshot of solitary wolf cries. like tuesday paris texas, mirage is testament of superpitcher’s versatile prospecting beyond the elemental sound tools of the electronic music trade.

nice price deal !!! fresh from tearing up this years wmc in miami cr2 proudly present a new take on the classic æneedin u by the face aka david morales, this stone cold classic gets a re vamp from cr2 head honcho mark brown & adam shaw he of mau5trap / toolroom fame....

one of the most exuberantly inventive and acclaimed bands around today, hot chip have built a devoted fanbase with their soulfully eclectic records and incendiary live shows. hotly anticipated by fans and media alike (and among spins >upcoming records that matter the most< and stereogums >most anticipated albums of 2010<, one life stand is the bands most boldly accomplished record yet, at once offbeat and anthemic, cerebral and danceable!

years & years debut album *communion* featuring the number one single *king*, and hit tracks *desire* and *take shelter* is availble to own on double heavyweight vinyl housed in a gatefold sleeve. this 2lp set is pressed onto 180 gram vinyl for best possible sound quality.

forma di comunicazione alternativa e paradossalmente antimediatica.
vinyl only.

the third release from seattle-based collective secondnature comes from archivist, with the star in a circle ep: four introspective tracks that take you on a journey through archivist s strong mood persona in the form of intricate, subtle musical landscapes and undertones. archivist explores the power of anxiety, loneliness and melancholia to compel movement, delving into the tension between internal struggle and dance floor liberation.

confine yourself in a space. we tend to behave and act according to the walls around us. the easy way is to stay within the room, acknowledge its walls and accept being limited to its floor. instead, start exploring the boundaries. walk the walls or simply tear them down. flip the whole room upside down or collapse it all together. question and explore the concept of a room. it might not take you anywhere new but it could make a big difference on how you enjoy the journey or appreciate the space you are in. unconfined.

he blueprints ep marks the welcome return of the talented toulouse based producer redeyes. following a number of releases on seminal labels such as bingo, creative source, innerground and brownswood in the mid 2000s, redeyes then decided to take a step back from music production. now returning as a more complete and mature artist, his blueprints ep on lenzman’s the north quarter imprint sends an exciting message of where julien salvi stands in 2017. comprising of an ambitious nine tracks, redeyes’ blueprints ep showcases his exquisite musicianship and ability in the studio throughout each piece of music. in true north quarter style, he effortlessly breaks down the boundaries between drum & bass and hip hop, whilst fully maintaining the soulful and heartfelt aesthetic that he is known and revered for. the release sees him join forces with a plethora of exciting talent. ‘100 porsches to the stars’ brings him together with underground la rap hero hus kingpin for a lo-fi hip hop masterclass. he also collaborates with mancunian don black josh, children of zeus’ infamous tyler daley, north quarter chief lenzman, and many more.

180 gram heavyweight vinyl pressing, download code included.

warehouse music is the new imprint bought to you by london based dj and producer mella dee. the second offering is a tough but soulful reflection of mella’s stomping grounds in south yorkshire where he was inspired by sounds coming out of warehouses. the a places the rough and ready ‘take it’ alongside a stripped back, percussive and driving ‘woodlands’. on the flip, a more experimental acid tinged roller ‘paul & shark’. wm002 is pressed to neon pink vinyl with a bespoke hand-stamp design of the infamous doncaster warehouse.

dj, record label impresario and former swedish champion b-boy, mad mats knows a thing or two about finding good music. as well as iconic underground imprints raw fusion and gamm, mad mats is a partner in the highly regarded local talk label, making it highly probable that most of the world’s influential djs have at least one of his discoveries in their record bags.
for his first compilation on bbe, mats has put together a diverse selection of cuts, from reggae, hip hop and soul to boogie, electronica and house, reflecting his open-minded approach to djing.

the psychedelic side of the monkees - a 12-track collection on pink & green splatter vinyl.

king tubby s music & dub store records veröffentlichen -soundclash dubplate style pt. 1-. das album beinhaltet 10 titel von verschiedenen künstlern.

its just over a year since we started our new label, real balearic. for our second artist album we are really pleased (and honoured) to welcome one of the few djs who can claim to be one of the founders of the eclectic balearic sound. take a trip back to the 70s and 80s in northern italy and you will fine daniele baldelli mixing up electronic, african and slo-mo disco records to co-create the electronica meccanica sub genre. records often would be played at the wrong or variable speed to be made to fit into a wide aural tapestry of his unexpected-but-seamlessly-flowing dj sets. this of course is an aesthetic close to us here at real balearic. a sound we are ever so pleased to have as part of the mixing pot for our new balearic label. for the album he pairs up with fellow italian dj rocca to serve up an eclectic â€,“, electronic â€,“, balearic feast.

mental groove records is thrilled and honored to announce the follow up to last year water vein ep (mg115) by asian psilocybe foundation & dj yogurt. entitled daikaku, a buddhist term for one who has achieved enlightenment. this second installment smiles on geinoh yamashirogumi akiras soundtrack. apf is an eccentric japanese musician who raised attention from the detroit. remixed by jon dixon of underground resistanceÆs timeline, apf first ep was released by once legendary producer orlando voorn (fix, game one, baruka). on the a side he achieves to capture akiraÆs spirit with his own organic and floating sound signature within a long, delicate and trippy techno number while on the flipside dj yogurt, a regular figure of tokyos nightlife who worked at cisco records, delivers two straight percussive numbers fueled with traditional japanese flavor to take the most discerning floors to a tetsuo state-of-mind. mastered by music matters mastering and cut at emil berliner studios, berlin.

that cyberpunk chameleon of styles, manchester’s pride and dancefloor master ruf dug is back on wax on copenhagen’s music for dreams. following up the first 12” of remixes that came out last year, we once again re-visit the island life of monsieur ruffy and his debut full length album “island” (recorded during a sojourn on guadeloupe). first up we have italians on the mix. hi-jacking ruffy’s tribute to wally badarou, leo mas and fabrice opt to do their own thing: which is churning out a bouncing house belter of their own that bears little resemblance to the original lo-fi synth reverie. closer to the original then, is fellow mancunian andi hanley’s take on the same track. adding sparse percussion and and a simple but effective drum beat, this take seems to simply be an uncovered second half of the original, where it finally takes off for the dancefloor. “mangrove dub” is reworked by fresh-on-the-scene aussie producer tropical hi-fi who creates a brilliant version full of moist ambient textures and reverb-heavy dub treatments. at last but definitely not least, seahawks turns the whimsical hippie folk ballad “le rayon vert” into a more intense and neatly dressed affair, focusing on the instrumental parts and lifting aside vocalist nev cotte’s contribution to the original. still with a mindful of tropical dreams and the ocean shore close at hand, but in a more introvert vini reilly kind of way. essential package.

brighton’s klax crew return to critical with their very first full blown ep release on the label since their systems series debut back in 2015. from hard-hitting industrial strength and half-time leanings through to warm liquid gold, the klax boys deliver yet another outstanding, fresh take on drum & bass.

dawn of the planet of the apes is the eighth theatrical film in the apes franchise, released in 2014. the wonderful score was composed by acclaimed soundtrack composer michael giacchino. giacchino has received numerous awards for his work, including an emmy, multiple grammys, a golden globe award, and an academy award.
first pressing of 2000 numbered copies on silverback coloured 180 gram audiophile vinyl in gatefold sleeve.

after his memorable ‘wolves’ ep of last year (which garnered great support and earned record of the week on b.traits bbc radio 1 show) florian busse returns to connected for his new release ‘heus’ ep on vinyl and digital,retaining and developing his idiosyncratic sound sculpting, florian has delivered another unique take for the dancefloor.

come together: re.yous younion returns with more sublime unifying forces. beats that bring us closer, feelings that break down barriers and artist partnerships whose creative connections are more than the sum of their parts. the message is clear in every directio, from the longstanding younion parties across europe to the slow-but-smouldering rise of the label, of which we are proud to present its third release tapping into the very same younion spirit that regularly shakes the walls of iconic clubs such as watergate berlin and pacha barcelona, this four track ep is an incisively curated collective ep comprising three acts who complement each other implicitly. as the dust still settles from florian busses recent younion outing, and solomun continues to hammer the labels first release from eins tiefer, the timing couldnt be better. the perennially on-point dutchman rancido takes the lead with two deep tribal odysseys that take root in the sound he’s made his signature. both >lagos< and the vinyl-only >rabat< conjure deep mystic textures around his stately, restrained and constantly developing grooves. there is a reason he is released with the mighty innervisions in the past. deeper again re.you whips up a percussive storm over palpitating synths in the form of >dao< before handing the controls over to rising german duo cosmo & kramer for an inspiring finale. a duo re.you has been championing since they warmed up for him five years ago, >dance< is a calling card for an extremely exciting future… and it more than lives up to its name. three releases deep and younions unifying forces couldnt be stronger. its time to combine.

the other man is a unique collaboration between up-and-coming young finnish producer janne tavi the flag-bearer of ibadans next generation nd acclaimed chicago house vocal legend robert owens. this ep is a superb rare gem that bridges global distances and combines a broad range of influences. the result is lush layers of sound, relentless energy, and intricate piano riffs and stabs. owensÆ poignant vocals seal the deal on this new house classic, taking it to sublime heights. the vocal dub kicks the heat up a notch with owensÆ seductive vocals and taviÆs stunning keys and arrangement. on the b-side, new york house legend kerri chandler makes a long-awaited return on ibadan. first up is a spirited vocal version with a dynamic bassline. chandler follows it up with an instrumental take, pared down to a tool and keeping the infectious groove going with deep and satisfying flavor.

port o brien is dead, long live waters. these new songs veered away from the frequently loose, punchy anthems of port o brien, and as van pierszalowski intensively pieced each one together, he sought a bigger sound – something louder than he could play on his own. so van returned to oslo, where his new journey began.

berlin-based producer, yapacc take on the original sees him transferring the song into a dancefloor-ready track whilst subtly maintaining the ambience of the original. off-beat house-esque sub-rhythms and a melodic bassline helps to keep the energy of the track moving forward, whilst the top end guitars and vocals keep the listener interest up until the very last second. russian-based dave pads remix also helps the original move onto the dancefloor with this incredibly funky, groovy-laiden back beat which simultaneously manages to hold onto the original tracks esthetical ambience. euphoric house stabs and a continuous layered texture sits behind the tracks groove, adding a sense of nostalgia and depth to an already emotive original.

austin-based musician eliot lipp delivers “skywave”, an album lipp has been working on for the past several months. with influences from sci-fi soundtracks and 70s and 80s funk, he channels a collection of weird, high-definition, melodic beats. in these nine songs lipp feels he “might have everything i want to say in one moment.” recreating key musical moments in a current and relatable way was the goal in producing skywave and giving himself permission to take some risks as well. with a versatile approach, lipp has created opportunities to connect with some of the artists he first looked up to, playing in cities across america and abroad always returning to his hometown in the pacific northwest. collaboration plays a role in all his albums. he’s been a fan of emancipator for a years now and was beyond excited to get his “not quite awake” remix. he asked dmc champ chris karns to scratch on ‘joyride’. in addition to doing cuts, chris ended up playing live drums and layering unique vocal samples. ‘reflection’ came from a jam session with gibbz and cherub in their nashville studio. one of lipp’s biggest musical influences last year came from a group of producers from seattle that call themselves fish tank friends. most of them had a hand in the early stages of ‘spiders’. with monthly trips planned from texas back to washington, he anticipates more evenings surrounded by friends, fans, and new listeners where he brings everyone together through the touch of a button.

ocean parkway, the new sublabel from brooklyn s names you can trust, launches with a deep dive! drawing inspiration from sounds as varied as tortoise and trentmøller, lavender lagoon eschews traditional genre cliches, blending sampled drums and synth patches to paint an electronic collage inspired by the lush, organic flow of nature. the a-side presents an optimistic tryptic: a boy hunting for butterflies, dogs swimming in suburban pools, and the smell of spring rain. but flip it over to side b and a darker realm is revealed â&#128,&#148, one in which the cold physics of outerspace reign supreme, and the heavy computerized rhythms take control.

>lost in love< is the first single to be taken from l-vis 1990s forthcoming debut album, neon dreams. continuing a collaborative partnership which began on last years >forever you< single, breakthrough bristol-based vocalist javeon mccarthy once again takes centre stage here. through its melodious analogue synths, infectious vocal hooks and sub-4 minute running length, >lost in love< in many ways serves as the ideal entrée to neon dreams. this is the sound of l-vis 1990 revisiting the routes of his dance music love affair. picking up his own theme from the original—the classic french bassline—l-vis 1990s neon dreams club mix pushes the low-end triumphantly to the fore. club is certainly the operative word here, feel the remixs bangalter-esque bassline drop and your minds eye fixes instinctively upon an undulating dancefloor. the night slugs allstars — l-vis 1990, bok bok, jam city — also take the floor on their version, albeit via the neon-tinged scenic route. much like the label itself, their remix is replete with colour, difficult to define and relentlessly innovative.

ltd edition 12 inch vinyl & download
following on from the success of the first astrophonica compilation, the mixmag album of the month-rated gradients, label head fracture delivers the action-packed cold & rain ep. this is fracture’s first solo ep on astrophonica and it’s been worth the wait with four tracks showcasing the londoner’s creative energy and attention to detail. as ever, the release comes packaged with artwork from utile creative. the ep is propelled by the title track, built around an irresistible vocal sample from featured artist inaya day. the original, 1997’s ‘hold your head up high’, featured day in full house diva mode delivering a positive message. for his take fracture hones in on a specific line, speeds it up, and chops it with trademark expertise until we’re left with something he admits feels a little more cold though no less powerful. propelling day’s voice forward are expertly diced breakbeats, rolling percussion, and synth stabs for a short but intense ride. completing the a side is ‘your time’, a no-nonsense rollout with 2 step drums, filtered breaks, and catchy basslines playing call and answer with gnarly melodies. you can’t put it better than the sample does: this is one for the junglistical massive.

celebrating osiris’ 50th release in two parts, label head simon shreeve unveils ‘deep summer’ as the first: a downtempo, vocal-led track with a pace and laid-back vibe not usually associated with his mønic alias. on the b side, a remix from none other than burial offers a distinctly smokier take on the track, full of percussive melodies that weave into surprisingly major-chord territory towards the end of the song’s ten minutes. this is a release that sees both artists pushing their respective music’s preconceptions.

now that his excellent free-to-download new double album, stories from sa talaia, is out, hosh is busy releasing the tacks from it on separate eps. they come on the ibiza based diynamic associate s own fryhide label, and after part one comes part two with four more essential tracks. the first is a collaboration with tim englehardt and is a supple track laden with emotive synth patterns. it has beats that rise up and down and take you on a trip to the outer edges of the galaxy. then, ocean data is an eight minute deep techno opus with watery pads, a spacious atmosphere and icy hi hats driving things along as you get swept up in the groove. on the flipside, hosh links with lehar and they come up with the brilliant o fratello mio, a driving track with physical drums and warped synth sounds. it is filled with subtle effects that add dynamism to the moody groove and again features some magical melodic sequences. last of all, fighting the deamons is a dark and late night track sprinkled with cow bells. it s for heads down dancing on intense floors and closes out a perfect second ep.

zara mcfarlane, eine der essentiellsten neuentdeckungen des uk-soul/jazz, meldet sich mit einer limitierten heavyweight-10inch als vorbote zu ihrem neuen album zur³ck. in kollaboration mit dem gefeierten drummer und produzenten moses boyd reinterpretiert zara den meilenstein all africa aus dem album we insist!- des legendõren us-jazzmusikers max roach, einem 1960er statement zur schwarzen b³rgerrechtsbewegung.

tutti hill’s ‘when the going gets rough’ was listed on the label of her arock single in 1964 but the record actually played ‘whoa whoa, baby take it slow’. at last this gorgeous mid-tempo dancer from ron miller and lee porter makes it to 45. the flip is a piano and voice demo from the same stable but garrett saunders’ magnificent baritone makes the song a must-have. what a pity he did not record more.

the checkerboard squares’ ‘double cookin’’ is a byword for the northern soul all-nighters of the 70s, when hundreds of dancers would hit the beat and clap in unison to the spirited instrumental. our discovery of two vocal versions of the song shook the rare soul world in the noughties. here we feature the tandels’ all-girl take on a song they had previously recorded to a more basic arrangement on the obscure jam-cha label.

two more recent 70s, modern soul-style discoveries were issued last year on the “hotlanta soul 4” kent cd. lorraine johnson verified that the sumptuous vocals on ‘a love like yours’ were indeed hers, though again the author of the song is unknown. deep velvet give a much more harmonious take on ripple’s ‘complain to the clouds’, transforming it from a funk growl into a true soul song.

one of the most accomplished and celebrated bands in the field of contemporary, unclassified pop music. almamegretta are masters in combining a wide range of elements such as dub, funk, reggae, world and electronica, all filtered through their own deep southern italian roots. now let’s discover the dub version of ennenne. dub is a unique discipline. a strange and sometimes unpredictable music practice. it was just after the release of ennenne that we decided to take back the multi track recordings and start to rework the music through the mixer. in order to give a new shape to the project, we thought it was a good idea to invite some of the best producers and musicians on the dub scene. following a very natural process, our vision began to take the shape of an international all star event, including contributions from historical dub artists such as adrian sherwood, lee scratch perry, dennis bovell, and actual celebrities of today such as gaudi, vibronics, manasseh, khalab & messmorize, and mario conte one the most interesting producers on the italian experimental scene. a bunch of old and new friends with whom we share the same vision.

das 2013er mixtape des west coast-rappers nispey hustle erscheint erstmalig als limitiertes 180g doppelvinyl in farbe. das album erlangte 2013 nicht zuletzt große aufmerksamkeit durch nispey hustles entscheidung 1.000 limitierte cds für je 100 usd zu verkaufen, wovon jay z durch roc nation direkt 100 stück kaufen ließ. als gäste sind rick ross, slim thug, dom kennedy, james fauntleroy und viele andere vertreten.

the owl returns for 003 after two sell-out opening releases. there is a bit more sample trickery on this release with beefed up drums and smooth chords added to the original material. the opening track being a clever disco-house take . the drums are chunkier and the groove is tight! donny hathaway s little ghetto boy gets more or the straight up edit treatment with all the good parts looped for a dj friendly mix. hustle is a very clever rework with plenty of new parts added to give the original a much needed dance floor boost. rounding the release off with a simple yet effective re-do of fred wesley s classic house party .

nice price deal !!! nice price deal !!! nice price deal !!! das innovative rap-duo aus der vitalen hip hop-szene in oakland, kalifornien hat mit wegbereitern wie clams casino, a$ap rocky oder lil b das neue genre cloud rap hervorgebracht.
inklusive code für kostenfreien mp3-download des albums.

nice price deal !!! supported by: davide squillace, dan curtin, tim green, patrick bateman, brian ffar, mr. statik, luciano esse, angel molina, jenn, daniel fx !! the 2nd release from barcelona label >vinyl did it< is by american producer digital ape. after appearing on the first vinyl did it release together with techno master dan curtin, and madrids dr. needles, digital ape brings us his >im allright<. the track has a fun house feel, with a bouncy and dancefloor friendly uplifting groove. also on the a side, a remix by berlin based duo fibre (daniel rajkovic and berkant suer), who take the original into more minimal territory (another version of this remix appeared on the mos clubbers guide to berlin 2008). on the b side, legendary dj and producer quenum gives the original more than just a facelift, re-arranging it, twisting it and turning it into an epic piece that smoothly goes from dark hypnotic techno into dancefloor mayhem

computer numerical control and kobold launch their own platform for mind-bending sounds introducing shifting records and its first instalment, “misbehaviours”, is a four-tracks ep which features also a remix from francesco visconti aka @vsk_crs.
following their path through the rawest sides of the dancefloor-driven experiences, the ep is conceived as a heavy take on ebm with noisy textures, harsh vocal incursions and an almost inescapable, permanent tension.

(boscoexv21 – 5.49€) after the last acclaimed pretty eyes ep, and releases on slow town, fly by night and messalina -don- riccio is back on bosconi extra virgin with a new four tracker ep fully inspired by his new residence in the middle of the mediterranean sea and where all his palette of different styles has been included.the record begins with the romantic vibe of the deep house and jazz-fusion oriented tune -here you are- , followed by the mid tempo jam of -marcela- where its guitar notes will take your mind and your soul really so far to another level, then on the flipside a more balearic approach and a joyful-motwonish mood for the disco track -please-, as you will imagine yourself dancing on a ring around the rosey holding your hands with each other, praying as a hymn for peace and love in the whole world, while the mysterious vibe of the rolling late-night house groover -tessie- closes up the ep with its shifting jazzy rhodes riffs, dramatic strings and cinematic atmosphere. more richness in club music for your incoming summer!

nice price deal !!! sweet deep house take by david harness on this wonderful modern soul tune

nice price deal !!! mit >watch me dance - agitated by ross orton & pipes< erscheint das letztjährige toddla t-album in einer neubearbeitung der sheffielder musiklegenden ross orton & pipes, die toddla t zu seinen persönlichen musikalischen helden zählt. ross orton war mitglied der legendären fat truckers, der drummer in jarvis cocker band und als the cavemen (zusammen mit steve mackey von pulp) zeigte er sich für mias Überhit >galang< verantwortlich. darüberhinaus remixte und produzierte orton u.a. the kills, kelis und die arctic monkeys. dj pipes zählt zu den englischen bass legenden, und gemeinsam teilen sie ihre leidenschaft für dancehall und elektronische musik. auf >watch me dance< beeindruckte toddla t bereits letztes jahr mit seiner fusion aus dubstep/bass, house, street soul, dancehall und pop. pipes & ross orton würzen die neubearbeitungen der tracks mit der essenz der sheffielder bass culture von dub-reggae über bleeps/techno bis hin zu dubstep!

weiss blasts off via “brain fever”, where raw, mind-altering arpeggio bass, fuzzy drum machine hits, spacey chords and alien electronics thrust our hero skywards. think of it as techno for funk-fuelled, italo-disco loving astronauts whose journey to the end of the universe is only just underway. this intergalactic funk blueprint is explored further on the deeper and more melodious “you want a cigarette”, where weiss’s vocoder vocals wrap themselves around mutant tb-303 lines, rush-inducing chords and clattering machine percussion. on “space ghetto (booty)”, our hero celebrates the discovery of previously unknown worlds in the only way he knows how. with kaleidoscopic, full-throttle electronic motifs and funk-fuelled synth-bass to the fore, weiss offers his own unique take on electrofunk. pleasingly fuzzy and tightly wrapped in the syncopated drum machine handclaps of ghetto-house, it’s a typically far-sighted and attractive proposition.

the passport to paradise gang are in fine form as they serve up four more tripped-out disco edits for the globally-minded savant. we take sail with the excellent thru wit waitin, a beefed-up guitar chugger reminiscent of 70s aor in its steady percussive work and misty sax solo. it s the guitar line that really shines here, lifting the tune into funk transcendence in the bridge. anybody out there reaches out to the disco trippers with its northern italian cosmic kitsch feel: starry-eyed synth pads float above reverb-soaked guitar musings and playful french vocal samples. a particular highlight. on the flip, ptp take things south with a soulful west african shuffler guaranteed to elicit some arresting footwork. the ep leaves us with resounding vibrations from the far east: jp wave explores ethereal planes, building up a dense rhythmic fabric punctuated by bass stabs and ornamental chimes. this is a clever bunch of edits for the more discerning selectors and enthusiasts out there- act fast.

the second remix ep from maps of hyperspace’s “superspace” cd sees the ambient dynamics of “a sense of unity” emphasised in the versions rendered by off land and arjen schat. elwood throws in his reinterpretation with a superb minimal deep techno take. adriano wraps the excursion with a smooth dancefloor remodel of mikael’s unreleased “sky”.

laurence guy makes a welcome return to the imprint with possibly his best work to date. the church staple offers up his debut lp saw you for the first time. fans of lg s breakout kojak ep should take a closer look at the track list.

some events in our life are responsible for driving us to a type of system where only the risks we take day by day are responsible for not letting us in.

hailing from spain, we are pleased to welcome ramiro lopez to take the reigns for our next release. the in-form producer has already released music on the likes of bedrock, intec, suara and diymanic in a relatively short space of time and garnered major support from adam beyer, carl cox and monika kruse. coming out on 15th may, his pretending release comprises of 4 tracks that have been a mainstay of adam beyer s sets during the latter part of 2016 and now full force in to 2017. the release opens with september atmospheric to its very core, the crunching drums and low end rumbles make this one a sure fire weapon of choice. next we jump into loving you with a haunting vocal that compliments the stripped back yet refined approach of this track. come closer featuring juliet fox is a dark, rumbling number that screams building percussion that lends itself to become a peak time choice, whether its a club or festival. the release closes with pretending feat. knowkontrol an 8-minute piece of work that is destined for unadulterated dancefloor destruction, whilst maintaining that melodic element that ramiro lopez is fast making his signature style.

3 of shadow child’s connected collaboration album tracks get a makeover from rimbaudian, mj cole and bodhi. rising talent rimbaudian reworks the only solo track from the project, steak fingers, and takes the original bumping stripped back groove on a more melodic journey with its stunning arpeggios and new string parts. the backbone of the original remains but be prepared to take a trip to a new stratosphere, with his stripped version which is included too. bodhi step up next to remix gacid, twisting and turning the original acid patterns and grooves to make a special rework that gives a nod to early detroit with new drum programming and pads. the welsh duo bring the heat. mj cole delivers what must be one of his finest remixes. um the collaboration with bodhi, already offers a trip that flirts with jungle, lo-fi and the hypnotic but mj cole brings his signature vibe to the table with new keys, groove and provides something that feels as if it belongs in the realms of his seminal hit sincere.